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Stephen Paul Miller reads from Beautiful Snacks

After reading Beautiful Snacks, I have to hold myself back because I don’t want to seem hyperbolic when I say that I really like this book whose first poem  is about a father and son called “Love Poem” that is touching, funny and sets the mood.

 

Love Poem
 
When Noah was six 
he named his thin 
pet betta fish 
Potato Chip.
 
When Potato Chip died 
I consoled him.
“Potato Chip lived a long life, 
Remember the good parts.”  
 
“There were no good parts,”
he cried.
“Potato Chip was boring
                but I loved him.”

 

There are certain poets when I read them, it’s like they’re in the room. They see me and I see them and I believe them too. We’re having a conversation. It’s a kind of metamorphosis, the enjoyer and the joy. Stephen Paul Miller puts me in the present, his present, and I get to share it with him.

In one poem called “I’M INDIE POET” he writes:

I don’t do any one thing.
Indie Poetry hangs in the strike zone for everyone to hit.

I’ve talked with Stephen Paul Miller so I know that his poems sound like he talks, but out of this common speech, this common ground where every reader can come and hit a home run, out of himself he writes his poems.

And like the poem says, he doesn’t do any one thing. Like another New Yorker we know, Stephen contains multitudes. He’s a standup comic throwing zinger one liners at us, a college professor at CUNY too lecturing about history and politics, which he has studied in depth, and knows to be true, and he’s not afraid to walk up to Fame and start a conversation any old place whether it be in a restaurant, during a theater intermission, or on the street. Jean Luc Godard, Bill Clinton, John Ashbery, and John Cage, among others, are for real gossip in these pages that is never apocryphal but always doubtlessly deliciously true.

 

IT ONLY NOW OCCURS TO ME HOW MUCH 

JOHN CAGE INSPIRED BURT BACHARACH 

This John Cage-Burt Bacharach story is true. 

There’s a wonderful French

      horn nearby

                          and the poetry attached to it

                    is intense

      and sweats like crazy

                              in a space-time

                              where A.R. Ammons

                                 and Mark Rothko

                                   die on February 25th 

                            and George Harrison,

                      Zeppo Marx, and  

                Meher Baba are born nearby on Feb. 25th—

                        the same surface when

               Burt Bacharach 

          and John Cage are 

            early ’50s

               New York 

                  friends (true story)

          when Burt writes a

                   piece for oboe & 

                  2 other instruments   

          and thinking of Cage

                feels it too

                     melodious,

          and his great French composition

          teacher says, Burt

                      never

                    fear being

too melodious—

and it changes his life 

          and we too should throw

       out Burt’s beautiful net

and not fear making

     too much sense

Does no dog lick the wind? —

Hillel tells you

           “Where there is no 

         Man 

           Be One” 

and 

“The truth is what helps people,

The truth is what makes people 

                             Big,”

       says Meher Baba.

    We’re all like Burt Bacharach

    imperceptibly pushed by John Cage

    in odd and surprising ways

    striking one intricate and sublime

    simplicity after another.

 

With Beautiful Snacks I get the dish and learn something new because these poems want to nurture and look out for me like a teacher or a father would, or an affectionate son, and most of all I have to say that reading Beautiful Snacks was a lot of fun. Fun is Love. Love is Fun. 

At KGB on May 11, Stephen Paul Miller read poems from Beautiful Snacks in the Vimeo that follows. Enjoy.

Stephen Paul Miller reads from Beautiful Snacks

No Description

 

I’m Flying
 
next to my mother in her window seat,
and with still fluffy clouds suspended on the wing, 
                                 she says,
“Steve, I think we stopped!”
My mother doesn’t know mythology but lives it.
She’s a great and biblical presence.
That’s why she’s so annoying.
Once I told her my dissertation was being published.     
“But then,” she says, “people will be able to steal it. . . .  
Steve, you’re not a baby anymore. When will you stop   
doing baby things like writing books?”  
Born to observant Russian Jews in East Harlem,   
second youngest of nine,   
                                      marrying my father at 25,  
working all day in their drug store, widowed at 70,  
     she never gave up on anyone.  
I thought all drug stores meant  
  medicine for everybody, no questions asked  
  except about your kids.  
My mother was a good person.  
“Kaddish” is Aramaic for “holy,” and
what could be more holy than a good person?  
A good person, says the Kaddish, makes God bigger, 
My mother put a magnifying glass up to God,  
      setting apart what is holy by making others big,   
         having the extraordinary power   
            to delight in every detail about   
   you and your family. 
          When she tells my son
   he’s baked in her heart  
   it makes him think,   
   making him bigger and more insightful. 
She only regrets 
not living longer,
she says, because 
she won’t know 
what kind of 
big man he’ll be.
At 95 she’s babysitting.  
I come home to find her with   
   my copy of Ginsberg’s “Kaddish.”  
Reading it for the first time, she’s crying.    
“Your mother was still charming at 103   
   when I sent her a bouquet,” says my friend Cliff Fyman.  
A social worker on the Staten Island Ferry tells me,  
“Everyone in Stapleton applying for benefits   
   uses your mother’s name for their first reference.”  
When she’s little, 
her big sisters change 
her name 
from Rachel—
it only now occurs to me they said Ruchel—
to Rita
to make it feel more 
American.
Ma’s name at birth is Ruchel Melnikoff.  
Yisgadal v’yiskadash shmay raba —  
“Magnified and sanctified be the great name,”  
           says the Aramaic of the Hebrew Kaddish.  
But how can anyone make God bigger?  
My mother made everyone bigger
                      and mostly me. 
,,,
 
This Is a Poem for David Shapiro, a Great Poet 
Who Played a Violin and Recently Died
 

I can already see the wall
    around paradise lifting
Ecstatic, 
 I know no difference
    between heaven 
              and this moment,
    your garden 
              and a bell,
               a violin and going crazy.
The fiddle sways and 
     its profile shows
   each note to be a detail 
of its soft and
infinite garden.
 
CAKE, BOOK, AND CANDLE
 

“Where did the baby go?”
two-year-old Noah asks
as he flips through the Moses
kids’ book our friendly
born-again doorman gave him.
“Moses grew up,” I tell him.
But he keeps turning,
finds the Burning Bush,
yells “HOT!” and blows it out.
Then, coming to Moses’s tablets,
he finally gets the connection.
Pointing to the tablets,
he says, “Cake! Cake!”
The next day I go inside
a real-life ginger “cake” house
in a Chelsea art gallery
and think of Moses and Noah.

 

JOE BRAINARD

Fish
On music paper
Brings me joy.

 

Beautiful Snacks is published by March Hawk Press. You can check it out here:

Beautiful Snacks | Marsh Hawk Press

Beautiful Snacks by Stephen Paul Miller is a fearless, genre-bending feast for adventurous poets and readers mixing satire, spirituality, theater, and more.

 

Stephen Paul Miller reads his translation of Agnieszka Ginko’s poem Pierścionki: “Rings”

In Stephen Paul Miller’s new book of poems, Beautiful Snacks, he translates a poem from the Polish by Agnieszka Ginko, a poem called Pierścionki or in Stephen’s words, “Rings.” And here it is for you.

Stephen Paul Miller reads three inaugural poems

THE OPPOSITE OF CAPITOL VIOLENCE At the ’63 march on Washington A. Philip Randolph says “racists seek to strangle Congress.” I find myself so between. On January 5, 2021, We march to the sea in a good way, Taking Georgia to roll back the 2006 voting rights rollback Getting back to Reconstruction before we gave up on The non-violence at the electoral heart: What investigation needs to be taken?

 

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